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the whole room is too big to hear if I'm resonet, but any alcove I can either find the main or harmonic frequency, or the tub too,Alcari wrote:how can you hum at the natural frequenty of the room?
How do you even KNOW that? If you do know, isn't the frequenty of the room likely to be something around <10hz?
4=5 wrote:well I actualy HUM at the natrual frequency of soup or the room I'm in or wht ever, it' funn'cause it bugs the hell out of my parents
Alcari wrote:I think people stir at the natural frequenty because it works.
Then again, stirring just into the flow would mix it far better...hmmm....
This reminds me of the time my old 'highschool' class would just line up infront of the a side door to the local library. This didn't actually lead anywhere, but other people did join the line. Especially when we started "moving forward." It works even better when you get some people to look up at a building and point at it. people WILL stop and look.
Ahh, human herding. Gotta love it.
d33p wrote:xkcd: We keep people from jumping off of shit
mudge wrote:Taking cat-proximity laws out of lolcats is like taking friction out of sex.
hermaj wrote: I tend to stir soup in a quick couple of S-motions, anyway, before it goes back in the microwave.
Sandry wrote:MIT has an outdoor amphitheatre that's got a good one. It totally qualifies as my idea of fun to end up over there and start singing random stupidity. Possibly I need to get out more.
A house I used to live in had a little arch just outside the front door. If you stood directly under the apex and spoke you heard the sound bouncing off the wall to your left and right simultaneously so you got this great stereo delay.
hermaj wrote:Ummmm. Was that Just? Admittedly it's the only one I've seen and that was a long tme ago, but what you're saying seems to ring a bell.
Anyway, getting back on topic, my theory is that people stir at the natural frequency of soup because they like to see that something is happening and they think it's working better. In my very humble and absolutely non-physics-based opinion it would do less, because everything would just flow around without really mixing up too much. I tend to stir soup in a quick couple of S-motions, anyway, before it goes back in the microwave.
davef wrote:I really hate it when people clap on the wrong beat at a concert. The accents are on the two and four, people!!
SpitValve wrote:Apparently in country music it's right to clap on 1 and 3.
hermaj wrote:I was under the impression that a lot of classical music does not actually have a beat, this is why it is so good to study to.
LE4d wrote:have you considered becoming an electron
TheTankengine wrote:I believe this exact conversation has taken place with the subject of "coffee". Anyone else remember that? I guess I'm talking to the hardcore old-skool still among us.
...walking down the corridor and amplifying the oscillations until you spilt your coffee.
Blatm wrote:Don't forget heavy metal. Well it's not so much that it's appropriate to clap on the 1 and 3, it's just that no one really cares. What I really get a kick out of is having people try to clap along with a song in 3/4 or 5/4 (or Money by Pink Floyd, which is in 7/8.)
German Sausage wrote:Is that an EMP in your pants, or are you just outraged by my sexist behaviour?
Dance like you're stamping on a human face forever.liza wrote:When life gives you a wife made of salt, make margaritas?
damienthebloody wrote:Blatm wrote:Don't forget heavy metal. Well it's not so much that it's appropriate to clap on the 1 and 3, it's just that no one really cares. What I really get a kick out of is having people try to clap along with a song in 3/4 or 5/4 (or Money by Pink Floyd, which is in 7/8.)
Totally. Second best thing at death metal concerts is watching people work out how to mosh to something in 5 or 7 or worse. The best thing is when you see someone who can actually do it.
damienthebloody wrote:Blatm wrote:Don't forget heavy metal. Well it's not so much that it's appropriate to clap on the 1 and 3, it's just that no one really cares. What I really get a kick out of is having people try to clap along with a song in 3/4 or 5/4 (or Money by Pink Floyd, which is in 7/8.)
Totally. Second best thing at death metal concerts is watching people work out how to mosh to something in 5 or 7 or worse. The best thing is when you see someone who can actually do it.
Awezing wrote:....
anways, this is somewhat useless and dumb, but i'm bored and figured people might want to know about the natural frequency of soup? maybe? I was gonna post this in the science section, but i don't know if its significantly science-y enough.
Blatm wrote:Don't forget heavy metal. Well it's not so much that it's appropriate to clap on the 1 and 3, it's just that no one really cares. What I really get a kick out of is having people try to clap along with a song in 3/4 or 5/4 (or Money by Pink Floyd, which is in 7/8.)
gmalivuk wrote:Blatm wrote:Don't forget heavy metal. Well it's not so much that it's appropriate to clap on the 1 and 3, it's just that no one really cares. What I really get a kick out of is having people try to clap along with a song in 3/4 or 5/4 (or Money by Pink Floyd, which is in 7/8.)
3/4 isn't too hard if you just clap on the downbeat.
One of the (several) reasons I really like Tool (their name is not one of the reasons, btw) is their propensity for uncommon meters. I think 11 and 13 are my favorites. Part of "Schism" has a 27-beat cycle (could actually be written as 9/4 in triplets, but that's not the point).
"Tubular Bells" (aka the Exorcist theme) starts out alternating between 7 and 8, or stays in 15, depending on your perspective.

Azrael wrote:Recently, while in Florida, I hear a lounge band play Take 5 in straight time.
I cried.
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