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poxic wrote:"How can I learn to write more concisely?"
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Drill down to what you really mean*. Can you be more precise? Specifically, can you summarise what you just said? Can you say it ... shorter, and more accurately?
It's all a balance, of course. "Balance everything" would be more concise than the first sentence of this paragraph, but probably less informative. The addition of "of course" and the semi-cliché "it's all a balance" (the real cliché would be "it's a balancing act") together make something interesting and still short enough to not bore us silly.
And the last sentence above is ridiculous. All the quotes and parentheses make it hard to read. How could I say that better? Seriously, I have to think about it. This is another lesson: good writing rarely comes from the first draft. Editing and rewriting is 90% of good writing.
Idunno. Can anyone else rewrite that sentence? The one that begins "The addition of"?
* I edited this sentence twice. Heh.
Steve Martin wrote:Times Roman Font Announces Shortage of Periods
Qaanol wrote:Use nouns. Use verbs. That is it.
goofy wrote:What's with this obsession with writing concisely? Is there a word shortage? Are we going to run out of words? I blame Orwell's "If it is possible to cut a word out, always cut it out" and Strunk and White's "Omit needless words". I say, don't use the fewest number of words, use the right number of words. If Peake had tried to write concisely, Gormenghast would be nowhere near as good.
goofy wrote:What's with this obsession with writing concisely? Is there a word shortage? Are we going to run out of words? I blame Orwell's "If it is possible to cut a word out, always cut it out" and Strunk and White's "Omit needless words". I say, don't use the fewest number of words, use the right number of words. If Peake had tried to write concisely, Gormenghast would be nowhere near as good.
roband wrote:Face, yes. Chest, probably. Pubic area, maybe. Scrotum, not a fucking chance.
Ortus wrote:It could be argued that any word placed half-assedly, without passion or prose, is a needless word. The words and where they are placed are often of incredible import to the specific writings, and so I read Orwell's sentence not as, "If you can say it with less, do so", but as, "If it does not fit, remove it". So you could have a thousand words in a sentence that fit, and are necessary, and still be keeping in the spirit of the quote. Or, at least, the way I interpret it.
[the defense of the English language] does imply using the fewest and shortest words that will cover one's meaning.
goofy wrote:Ortus wrote:It could be argued that any word placed half-assedly, without passion or prose, is a needless word. The words and where they are placed are often of incredible import to the specific writings, and so I read Orwell's sentence not as, "If you can say it with less, do so", but as, "If it does not fit, remove it". So you could have a thousand words in a sentence that fit, and are necessary, and still be keeping in the spirit of the quote. Or, at least, the way I interpret it.
Maybe... but in other places in the essay Orwell talks about how fewer words are better than more words:[the defense of the English language] does imply using the fewest and shortest words that will cover one's meaning.
roband wrote:Face, yes. Chest, probably. Pubic area, maybe. Scrotum, not a fucking chance.
amazinghat wrote:Are there any stylistic tendencies and tips you guys can give me to have my writing be more short and concise?
Starting with analyzing the above sentence and shortening it would help. D:
Operators or verbal false limbs. These save the trouble of picking out appropriate verbs and nouns, and at the same time pad each sentence with extra syllables which give it an appearance of symmetry. Characteristic phrases are render inoperative, militate against, make contact with, be subjected to, give rise to, give grounds for, have the effect of, play a leading part (role) in, make itself felt, take effect, exhibit a tendency to, serve the purpose of, etc., etc. The keynote is the elimination of simple verbs. Instead of being a single word, such as break, stop, spoil, mend, kill, a verb becomes a phrase, made up of a noun or adjective tacked on to some general-purpose verb such as prove, serve, form, play, render. In addition, the passive voice is wherever possible used in preference to the active, and noun constructions are used instead of gerunds (by examination of instead of by examining). The range of verbs is further cut down by means of the -ize and de- formations, and the banal statements are given an appearance of profundity by means of the not un- formation. Simple conjunctions and prepositions are replaced by such phrases as with respect to, having regard to, the fact that, by dint of, in view of, in the interests of, on the hypothesis that; and the ends of sentences are saved by anticlimax by such resounding commonplaces as greatly to be desired, cannot be left out of account, a development to be expected in the near future, deserving of serious consideration, brought to a satisfactory conclusion, and so on and so forth.
Orwell wrote:In addition, the passive voice is wherever possible used in preference to the active
goofy wrote:Orwell wrote:In addition, the passive voice is wherever possible used in preference to the active
That's gotta be a joke, right?
firechicago wrote:
I 'm pretty sure that in that passage Orwell is describing the type of writing that he hates.
goofy wrote:firechicago wrote:
I 'm pretty sure that in that passage Orwell is describing the type of writing that he hates.
yeah I know, but he uses the passive voice in the very sentence where he complains that the passive voice is overused. Either it's a joke, or he can't follow his own rules.
I disagree with just about everything he writes in that essay btw. Orwell was a good writer, but he knew nothing about how language works.
Insatyable wrote:Please tell me how you would write that sentence using the active voice.
Insatyable wrote:I doubt he was trying to say that the passive voice should never be used.
Bryant 1962 reports three statistical studies of passive versus active sentences in various periodicals; the highest incidence of passive constructions was 13 percent. Orwell runs to a little over 20 percent in "Politics and the English Language."
Insatyable wrote:I don't quite understand what there is to object to in a passage that condemns pretentious, unnecessarily complicated writing.
Orwell begins with the unjustified premise that language is in decline - unjustified because while he viciously attacks contemporary cases of poor writing, he provides no evidence that earlier times had been perennially populated by paragons of literary virtue. He proceeds to shore up the declining language with style suggestions that, regrettably enough, have never turned a Dan Brown into a George Orwell.
goofy wrote: And why can't he follow his own rule and make an effort to use as few passive clauses as possible?
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