SOPA talk, yo.

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Re: SOPA talk, yo.

Postby KnightExemplar » Sat Jan 21, 2012 7:14 am UTC

Ghostbear wrote:You've said multiple times in this thread and others something along the lines of "almost everyone", and I take issue with it; nowhere near "almost everyone" that I interact with, or has posted here, or that I hear from, thinks piracy is a problem that needs a legislative solution- either because they feel it isn't a problem or they feel it's a problem not can be solved in any acceptable manner through legal action. I don't think we need to do a damn thing to punish or prevent piracy from a legal standpoint. To me, all of these bills- even the one's that aren't as toxically shitty as SOPA- are a hammer looking for a nail. Studies detailing the effects of piracy on businesses are mixed at best, and overall provide no consistency for the doom and gloom numbers. It might be an overall net negative, sure- but the evidence I've seen over the years provides no clear picture of something having a major negative impact. Some studies show a positive effect, some show a neutral, and some show a negative. Not all of those studies are perfect, but so long as I ignore the horrible BS paid for by the RIAA/MPAA/similar groups, no overall conclusion seems to rear its head in amount that I'd be confident in. Countries with weaker copyright protection laws (to my knowledge that includes: the entire rest of the planet) haven't all imploded into a death spiral because of it.

In short, maybe it is a problem, but it's not something we need to be wasting time trying to fix legislatively. I don't think any good (as in, with no or practically no room for abuse) law can be crafted to "solve" piracy. If such a law could be crafted, i do not think it would necessarily be worth passing. Saying that we need to do something about piracy is, to me, a big part of the problem why we end up with them attempting to pass laws like this: any copyright law passed in the US is going to be one that the major media companies will have their tendrils buried deeply in. Doing nothing is something I very much believe is a better option than doing something, because doing something has so little potential upside to it, while having so many ways it can be fucked up.

I can't think of a previous law attempting to prevent or lower piracy that hasn't made things worse overall: why should we keep trying for more?


While I agree that the MPAA / RIAA are a bunch of turds, I've made my point clear where I stand on the piracy issue. Professional pieces of software get pirated all the time, and people excuse themselves because of the price ($500+ for Video Editing software, going up to $4000 or so for 3d Studio Max). However, by pirating you overall harm the legitimate pieces of software that are tailored for you.

Take for example the Blender community. As an open source product, their model is to give away their 3d Modeler for free. Its a decent piece of software, harder to use than 3D studio max but certainly has its uses. By pirating 3D Studio Max, you are not only hurting the company (and arguably "stealing" $3,500), you fail to participate in the free communities like the Blender Community. From feature requests, tracking bugs, finding new uses of the software and so forth, the Blender Community benefits when people use their software. Basically, there is a product and a willing community waiting to accept you if you don't want to pay the exorbitant amounts of money that Audodesk charges for 3D Studio Max.

Certainly, copyright infringement is not necessarily as wrong as other wrongs, and IMO, the country's current situation overly enforces copyright. But just taking the high-cost products hurts everyone. The developers of 3D Studio don't get the money they righteously deserve, and the programs designed for hobbyists that are at a lower price point suffer as they don't get customers. (Or in the case of Blender... which is free... they suffer from one less member in their community). With literally free software floating around, it is very hard to see how anyone can defend acts of piracy towards Computer Programs.

For most applications, you've got an Open Source alternative. Why pirate Photoshop when you can legally use The Gimp? Why pirate 3d Studio Max when you can use Blender? Why pirate Windows when you can use Linux? And if you feel that the costly program is superior to the open source alternative, then why didn't you pay for it? The worst choice in all of this is to just pirate the software, since if you participate in the free software communities... those free tools will improve. Much like how Linux is going toe-to-toe against Windows in the server market (ex: Wikipedia and Google use Linux IIRC), and Linux on Cell Phones is the most popular platform (Android), if you truly believe in freedom of information and free software, then you should support the free software movements.
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Re: SOPA talk, yo.

Postby Malice » Sat Jan 21, 2012 12:01 pm UTC

KnightExemplar wrote:For most applications, you've got an Open Source alternative. Why pirate Photoshop when you can legally use The Gimp? Why pirate 3d Studio Max when you can use Blender? Why pirate Windows when you can use Linux? And if you feel that the costly program is superior to the open source alternative, then why didn't you pay for it?


Speaking as a young professional, the jobs that I apply for are not looking for experience with "the open source equivalent", they're looking for experience with Photoshop. Yet people just starting their careers are often not in a position to make a large investment into the software they need to learn in order to obtain employment. Piracy is often the alternative.

There are also related cases where there may not be an open source equivalent--as far as I know, for instance, there is no open source video editing software on par with Avid or Final Cut. (I think there's a wonky Linux one? Not everybody should have to run Linux in order to have a career.)

I'm in favor of open source and all that; but given the stranglehold expensive software can have on niche job markets, it seems cruel to blame people for pirating it so they can learn and get a job. In fact, from the prospective of the expensive-software designers, without this form of piracy, their business models might not be tenable.
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Re: SOPA talk, yo.

Postby Webzter » Sat Jan 21, 2012 2:51 pm UTC

Ghostbear wrote:if you write a book, ownership of it is going to be split, in various ways, between yourself and each of your publishers (in many cases, one for each country you publish in). "Ownership" doesn't, and shouldn't, allow people to apply their local laws across the globe.


Granted, my experience isn't a blanket statement of the publishing world, but for the two tech books I've written, I retained copyright over the material I created. This included my words and diagrams. Of course, my diagrams were crappy and were redone by the publisher before going to press. They retain copyright over those diagrams as well as the cover artwork. However, I did grant the publisher exclusive publishing rights for both print and electronic editions.

When the parent company of one of those publishers went out of business, the publishing rights were nullified per the contract on one of the books (another publisher picked up publishing rights on the other). As I always retained the copyright, I'm free to re-release the first book in any manner I choose now, excepting the cover art and re-rendered diagrams.
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Re: SOPA talk, yo.

Postby Webzter » Sat Jan 21, 2012 3:16 pm UTC

Malice wrote:Speaking as a young professional, the jobs that I apply for are not looking for experience with "the open source equivalent", they're looking for experience with Photoshop. Yet people just starting their careers are often not in a position to make a large investment into the software they need to learn in order to obtain employment. Piracy is often the alternative.


http://www.howtogeek.com/95257/software ... fographic/

I found this while looking for anything indicating if software piracy helped sell copies. There are a few stats in the infographic. I had a hard time finding much in the way of third-party studies on the positive and negative affects of software piracy.
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Re: SOPA talk, yo.

Postby Griffin » Sat Jan 21, 2012 3:43 pm UTC

I agree with most all of what KnightExamplar says, with a few caveats, but first let me address Malice -

Speaking as a young professional, the jobs that I apply for are not looking for experience with "the open source equivalent", they're looking for experience with Photoshop. Yet people just starting their careers are often not in a position to make a large investment into the software they need to learn in order to obtain employment. Piracy is often the alternative.


As a young professional myself, I think its good to keep in mind that most companies don't give a damn about the specific tools you've used as long as you can get the job done with the tools they have. Sure, some (few) companies might reject you out of abject stupidity because you've done your work in something other than photoshop, but even though most will put "photoshop" on their list of requirements, they use it as a "generic" term, and in my experience its very rare for them to reject someone who's experience is close. It's usually just a matter of knowing how to present it - you don't write "5 years experience with GIMP" in your resume, because many people don't know what GIMP is. That's the whole point of the signal word, it's well known. You write "5 years experience with photo editing software like Photoshop", because GIMP falls into that category and they know how they're supposed to take what they've read.

Alternately, most of these expensive software companies offer their software at an extremely reduced income to those wishing to learn it but not using it professionally, though you often have to do a bit more work to get that.

Your second point is better, but is a problem for the same reasons KE already noted. However, I don't have an easy solution - tragedy of the commons and all.

No, back to KnightExamplars post:
While I do agree with you about the proper course of action, I also think copyright should be dialed way, way back. Things move a lot faster nowadays - if anything, copyright should expire quicker than ever. I think 7 years is more than long enough for most IP to expire, especially software IP.
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Re: SOPA talk, yo.

Postby Steax » Sat Jan 21, 2012 6:24 pm UTC

The feasibility of using open-source tools in place of their counterparts fluctuates wildly based on what you're doing. It may be okay to substitute photoshop with GIMP for a banner ad designing company, but not okay in parts of the world of web design (some developers refuse to work with anything that isn't a "well-layered psd"). Some companies are all about PSDs. As a user of both 3dsmax and blender, I think it's enough to say that they have very different workflows, and it'd be unfair to compare them in that way. It's very circumstantial. Consider very simple things like a company using Git and a person only knowing SVN. It'd be foolish to claim expertise in Git. I know a bunch of people who demand that their staff use Coda. Or some other text editor with collaborative features.

That said, since there still are cases where you can't replace an expensive application, I think the argument stands. But well, that's what education is for, right? You should have access to the tools of your trade when you learn it in formal education.

In other news, most international news is now repeating "the web has won" and "SOPA is dead". What do you guys think about this? Is it okay to pat everyone on the back now, and bolster their confidence in the collective's power, or should everyone stay on full guard, being impossible to rally everyone again multiple times if they keep pushing a similar bill?
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Re: SOPA talk, yo.

Postby Ghostbear » Sat Jan 21, 2012 6:55 pm UTC

KnightExemplar wrote:While I agree that the MPAA / RIAA are a bunch of turds, I've made my point clear where I stand on the piracy issue. Professional pieces of software get pirated all the time, and people excuse themselves because of the price ($500+ for Video Editing software, going up to $4000 or so for 3d Studio Max). However, by pirating you overall harm the legitimate pieces of software that are tailored for you.

Take for example the Blender community. As an open source product, their model is to give away their 3d Modeler for free. Its a decent piece of software, harder to use than 3D studio max but certainly has its uses. By pirating 3D Studio Max, you are not only hurting the company (and arguably "stealing" $3,500), you fail to participate in the free communities like the Blender Community. From feature requests, tracking bugs, finding new uses of the software and so forth, the Blender Community benefits when people use their software. Basically, there is a product and a willing community waiting to accept you if you don't want to pay the exorbitant amounts of money that Audodesk charges for 3D Studio Max.

Certainly, copyright infringement is not necessarily as wrong as other wrongs, and IMO, the country's current situation overly enforces copyright. But just taking the high-cost products hurts everyone. The developers of 3D Studio don't get the money they righteously deserve, and the programs designed for hobbyists that are at a lower price point suffer as they don't get customers. (Or in the case of Blender... which is free... they suffer from one less member in their community). With literally free software floating around, it is very hard to see how anyone can defend acts of piracy towards Computer Programs.

For most applications, you've got an Open Source alternative. Why pirate Photoshop when you can legally use The Gimp? Why pirate 3d Studio Max when you can use Blender? Why pirate Windows when you can use Linux? And if you feel that the costly program is superior to the open source alternative, then why didn't you pay for it? The worst choice in all of this is to just pirate the software, since if you participate in the free software communities... those free tools will improve. Much like how Linux is going toe-to-toe against Windows in the server market (ex: Wikipedia and Google use Linux IIRC), and Linux on Cell Phones is the most popular platform (Android), if you truly believe in freedom of information and free software, then you should support the free software movements.

I agree with all of that- professional software is probably the best argument that can be made for piracy having some negative effects. That's not what I took issue with though: I do not feel in any way, shape, or form, that piracy is a problem that we should be attempting to fix legislatively. I feel most markets are left unharmed by it, some even benefit from it (generally small players in entertainment markets- indie game developers, smaller bands, new authors, etc.)- I don't think any law can be made that is able to "fix" the areas that piracy harms, leave intact the areas it benefits, and not completely fuck up the rest of copyright law. Even if a law could be made that fixes markets such as professional software, I have zero confidence that it could accomplish that in a way that doesn't unacceptably harm other markets, civil liberties, or freedom of speech.

Any copyright protection bill that becomes law in the US in the foreseeable future is going to have to pass through the muster of the media giants- and they're going to get their hands in it and fuck it up. My issue here was the notion of "piracy is a problem, therefor we need legislation to fix that problem"- legislation can not fix piracy. At least not in the traditional sense- legislation could be made to steer cultural perceptions and financial situations away from piracy, but adding penalties and protections and new ways to stop it isn't going to fix it. It's just too big- piracy affects hundreds of millions, if not billions, of people, directly, either as the pirate or the person owning the copyright. If we do anything with copyright law, in fact, I think copyright duration and protection needs to be scaled back significantly- I believe the original term was 30 years, even even 50 years or just plain "life" would be a huge improvement right now. The US isn't supposed to have ANY recorded music enter the public domain until 2067. No new published works have entered the public domain for years, due to the copyright extension acts. We need to fix that first- it would reduce piracy in its own way (many works would no longer be copyrighted, so they couldn't be pirated) and probably do far more to spur growth.

Going back to the main issue though- none of these laws have worked. The DMCA didn't reduce piracy, and instead just gets used to censor opponents that can't afford the legal cost. All of these copyright protection laws are playing a giant game of whack-a-mole. The only way to make any real inroads against piracy with bills along these lines is going to be to have completely unacceptable consequences, such as the ones in SOPA/PIPA that we railed so hard against. Even then, they will likely have a very limited effect on such. If we think open source software or cheaper alternatives to professional software need a helping hand in the face of piracy distorting the market, then we should do something like extending the arts and creative work grants to help them; it'd almost certainly be far cheaper, and have a far more positive influence on everyone involved.

Webzter wrote:Granted, my experience isn't a blanket statement of the publishing world, but for the two tech books I've written, I retained copyright over the material I created. This included my words and diagrams. Of course, my diagrams were crappy and were redone by the publisher before going to press. They retain copyright over those diagrams as well as the cover artwork. However, I did grant the publisher exclusive publishing rights for both print and electronic editions.

When the parent company of one of those publishers went out of business, the publishing rights were nullified per the contract on one of the books (another publisher picked up publishing rights on the other). As I always retained the copyright, I'm free to re-release the first book in any manner I choose now, excepting the cover art and re-rendered diagrams.

Emphasis mine- that's why I stated "various ways". You have granted exclusive (and likely, region specific) control over some part of the ownership of your books to the publishers. You still own it, but they own part of it (with conditions) as well. That's how the "ownership" is split. I would expect that the publisher has the right to enter civil litigation over pirated or illegally published copies- which is generally limited to owners.
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Re: SOPA talk, yo.

Postby Randomizer » Sun Jan 22, 2012 12:30 am UTC

I've got a question. What work is being done to make content that has gone into the public domain more accessible/widely available? Does the government have a website that contains the works registered with the copyright office who's copyright has expired? I know that some government websites say stuff like "unless otherwise noted, these contents are in the public domain", but that's for boring government created stuff, I'm talking stuff created by the public.

I did find the Library of Congress prints and photographs collection a while back, but the problem is is it says:
Rights assessment is your responsibility.

As a publicly supported institution the Library generally does not own rights to material in its collections. Therefore, it does not charge permission fees for use of such material and cannot give or deny permission to publish or otherwise distribute material in its collections. It is the patron's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in the Library's collections.

The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Library provides information about copyright owners and other restrictions in the catalog records or other texts that accompany collections. The Library provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. The Library of Congress is eager to hear from any copyright owners who are not properly identified so that appropriate information may be provided in the future.

For further information, see the Prints & Photographs Division "Rights and Restrictions Information" page.

Okay, so they've got some material, but it's up to me to determine if I can use it? Great. How about they keep that site, but then create a different one which only contains material which the government has taken on the responsibility of rights assessment, and can guarantee that it has fallen into the public domain, so I can pull that shit off their servers and do with it what I please? Sure, it might take a while, and they'd probably have to have several people assess each work to double-check that it had fallen into the public domain, to prevent accidentally releasing works which still fall under copyright, but hey, what the heck do we pay the copyright office for, eh? They should at least be able to verify stuff which was registered in the United States.

I mean, I've got a book of Robert Louis Stevenson's poems, and I know I can use that, but I'm not going to be familiar with the status of everything I come across. And I know there are some "public domain" projects on the web, but I'd rather not trust second hand information on the status of something's copyright. Especially on an "anyone can contribute" site, I'd have to check the copyright status of the work myself anyway. I want the government to do the legwork for me. :p

I think that would be a good counter-bill to PIPA/SOPA. By the way, has anyone looked at OPEN (OPEN: Online Protection & ENforcement of Digital Trade Act)? I don't know what it does, and it seems to be in the planning stages and they're "looking for public input", but after PIPA/SOPA I'm wondering if that was just to soften us up so we won't object to whatever's going to go into this other bill ("See! Instead of cutting off your arm we're just going to take your finger!") Fuck that, let's make public domain content easier to get instead. "Encourage the free flow of information and take a stand against infringement, make public domain works freely accessible to all!" :p
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Re: SOPA talk, yo.

Postby Griffin » Sun Jan 22, 2012 2:43 am UTC

I've got a question. What work is being done to make content that has gone into the public domain more accessible/widely available?


Actually, they've been moving in the opposite direction. As of a couple days ago, for example, they now have ways to let people gain copyright over works in the public domain. I'd assume they're going to start selling the public domain off pretty soon.

So now you can't even figure out for sure if its in the public domain by going by when it was released or if it was put in some public domain database, since someone may have taken it back out.
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Re: SOPA talk, yo.

Postby Randomizer » Sun Jan 22, 2012 4:38 am UTC

What. The. Fuck.

I was going to ask for links, but then I took a look around and I found an article that says some works have been taken out of the public domain, and it's making it more difficult for small orchestras, which have a limited budget, to perform. It's from May 2011, Supreme Court Takes Up Scholars' Rights, that says a conductor is suing over that, but I don't know how it turned out or if it's come to trial yet.

Oh, wait, here's one from January 18th, 2012: Supreme Court Chooses SOPA/PIPA Protest Day To Give A Giant Middle Finger To The Public Domain Here's the .PDF of the ruling: http://www.supremecourt.gov/opinions/11pdf/10-545.pdf

This. Is. BULLSHIT. What if someone had invested a significant portion of time and/or money into making a fully legal, derivative work of a public domain item, only to find that their investment had been squandered because the law changed under them? Hell, Disney gets some of its material from the public domain. What if the Hunchback of Notre Dame had been one of the works to be "revived"? Would they be pleased at facing a lawsuit over a movie that was legal when they made it? Or Snow White and the Seven Dwarfs, which saved the company from bankruptcy?
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Re: SOPA talk, yo.

Postby KnightExemplar » Sun Jan 22, 2012 4:49 am UTC

Malice wrote:
KnightExemplar wrote:For most applications, you've got an Open Source alternative. Why pirate Photoshop when you can legally use The Gimp? Why pirate 3d Studio Max when you can use Blender? Why pirate Windows when you can use Linux? And if you feel that the costly program is superior to the open source alternative, then why didn't you pay for it?


Speaking as a young professional, the jobs that I apply for are not looking for experience with "the open source equivalent", they're looking for experience with Photoshop. Yet people just starting their careers are often not in a position to make a large investment into the software they need to learn in order to obtain employment. Piracy is often the alternative.


Compare Photoshop Student edition ($200) vs a professional-grade dSLR camera (~$500) with lenses ($200 to $300 for extra lenses). The $500 price range is typical for professional grade equipment and Photoshop is certainly more affordable than that. Photographers are expected to know how to use a dSLR camera. And Electrical Engineers are expected to have some experience with breadboards / circuits / microcontrollers, and boards alone can be in the price range of ~$200. If you are expected to be an expert on say... printed circuit boards... each design revision can easily cost you $50 to just print the damn circuit board... and you'll need to go through a lot of revisions to get your circuit designs just right. (High-frequency problems like GHz range radio signals don't work on breadboards, too much capacitance. So the $50 / per board design is the best you can do, plus all of the chips you'll have to buy to make a design).

Spending $200 or more for professional grade equipment is the norm, not the exception. Its one of the reasons why we go to college in the first place, so that we'll have the professional skills as we come out of it. Of course, college is expensive too, but piracy is certainly not the right answer to solve this problem. Especially since the prices we're talking of here pales in comparison to college. (I spent $200+ per semester on books alone... and thousands on tuition. A few hundred more for the professional tools upon graduation or the student editions of such software isn't very much in the great scheme of things.)

There are also related cases where there may not be an open source equivalent--as far as I know, for instance, there is no open source video editing software on par with Avid or Final Cut. (I think there's a wonky Linux one? Not everybody should have to run Linux in order to have a career.)


And now you admit that the commercial software is higher quality, and still refuse to pay for it? How the hell is that fair? If you're not willing to spend the $300 on Final Cut X, there are video editors available at every price range. You're not willing to even download a FREE operating system and install the FREE video editing software on your system? So not only must it be free for it to be "fair to use", and not only must the operating system be free for it to be "fair to use", but you expect people to hold your hand and and put everything together for you? Seriously?

I mean seriously, its a fucking career. Its what you'll be doing for the rest of your life. If you went to college, you already spent $20,000+ on training for your career. Its why you spend 8 years of your life going to grade school, its why you spend 4 more years going to high school. And its why you spend $20,000+ and then another 4 years to go to college. And its not worth it to just spend a night or two trying out free software? Even with something like Photoshop student edition, another $200 compared to the tens of thousands of dollars and 16+ years of life isn't much at all.

I'm in favor of open source and all that; but given the stranglehold expensive software can have on niche job markets, it seems cruel to blame people for pirating it so they can learn and get a job. In fact, from the prospective of the expensive-software designers, without this form of piracy, their business models might not be tenable.


Programmers have made free tools (such as the LAMP stack: Linux / Apache / MySQL / PHP) on par with commercial software. Part of that is the community effect of PHP. Lots of people use PHP and thus it has now become a professional grade tool. Similarly, by continuing to pirate Photoshop, you are preventing software such as Gimp from going mainstream.

Ghostbear wrote:I agree with all of that- professional software is probably the best argument that can be made for piracy having some negative effects. That's not what I took issue with though: I do not feel in any way, shape, or form, that piracy is a problem that we should be attempting to fix legislatively. I feel most markets are left unharmed by it, some even benefit from it (generally small players in entertainment markets- indie game developers, smaller bands, new authors, etc.)- I don't think any law can be made that is able to "fix" the areas that piracy harms, leave intact the areas it benefits, and not completely fuck up the rest of copyright law. Even if a law could be made that fixes markets such as professional software, I have zero confidence that it could accomplish that in a way that doesn't unacceptably harm other markets, civil liberties, or freedom of speech.

Any copyright protection bill that becomes law in the US in the foreseeable future is going to have to pass through the muster of the media giants- and they're going to get their hands in it and fuck it up. My issue here was the notion of "piracy is a problem, therefor we need legislation to fix that problem"- legislation can not fix piracy. At least not in the traditional sense- legislation could be made to steer cultural perceptions and financial situations away from piracy, but adding penalties and protections and new ways to stop it isn't going to fix it. It's just too big- piracy affects hundreds of millions, if not billions, of people, directly, either as the pirate or the person owning the copyright. If we do anything with copyright law, in fact, I think copyright duration and protection needs to be scaled back significantly- I believe the original term was 30 years, even even 50 years or just plain "life" would be a huge improvement right now. The US isn't supposed to have ANY recorded music enter the public domain until 2067. No new published works have entered the public domain for years, due to the copyright extension acts. We need to fix that first- it would reduce piracy in its own way (many works would no longer be copyrighted, so they couldn't be pirated) and probably do far more to spur growth.

Going back to the main issue though- none of these laws have worked. The DMCA didn't reduce piracy, and instead just gets used to censor opponents that can't afford the legal cost. All of these copyright protection laws are playing a giant game of whack-a-mole. The only way to make any real inroads against piracy with bills along these lines is going to be to have completely unacceptable consequences, such as the ones in SOPA/PIPA that we railed so hard against. Even then, they will likely have a very limited effect on such. If we think open source software or cheaper alternatives to professional software need a helping hand in the face of piracy distorting the market, then we should do something like extending the arts and creative work grants to help them; it'd almost certainly be far cheaper, and have a far more positive influence on everyone involved.

Webzter wrote:Granted, my experience isn't a blanket statement of the publishing world, but for the two tech books I've written, I retained copyright over the material I created. This included my words and diagrams. Of course, my diagrams were crappy and were redone by the publisher before going to press. They retain copyright over those diagrams as well as the cover artwork. However, I did grant the publisher exclusive publishing rights for both print and electronic editions.

When the parent company of one of those publishers went out of business, the publishing rights were nullified per the contract on one of the books (another publisher picked up publishing rights on the other). As I always retained the copyright, I'm free to re-release the first book in any manner I choose now, excepting the cover art and re-rendered diagrams.

Emphasis mine- that's why I stated "various ways". You have granted exclusive (and likely, region specific) control over some part of the ownership of your books to the publishers. You still own it, but they own part of it (with conditions) as well. That's how the "ownership" is split. I would expect that the publisher has the right to enter civil litigation over pirated or illegally published copies- which is generally limited to owners.


I'm glad we agree on funding Open Source projects. I too believe this is an effective way to "combat" piracy. (Although really, its more about embracing the open nature of the internet and finding business models that would work even if piracy were legalized)

I also agree that DMCA is a piece of crap law, but you can't say it hasn't been successful in slowing down Piracy. The number of pirated videos on Youtube seems to be dropping significantly, ever since that AI was added to youtube that automatically detects copyright infringement. This invention was clearly done so that Youtube can remain under "safe harbor" as stated in the DMCA. Similarly, Megaupload and other file sharing sites have released software to music groups to automatically take down links. (which really makes me wonder if the FBI has a case against Megaupload, since this seems above and beyond the DMCA's requirements for "Safe Harbor"). In general, pirate sites have all moved out of the USA, and the ones that are sorta-pirate sites (like Megaupload) work closely with the industry to hamper piracy on their sites.

Anyway, at the end of the day, stopping piracy ultimately means stopping some form of speech. Speech can describe software, and thus to stop the proliferation of some forms of software / media, we'll have to employ something akin to censorship at some level. So yes, I agree that stopping piracy will mean some reduction in civil liberties, but surely a proper balance can be found. The only thing is, by drawing the line right now, then we will never find that balance. I've said this before: I think you're just being too pessimistic again. Its a hard charge to say that we'll never find a proper solution to this problem. Certainly, we'll have to work to find a good solution, and IMO, I think I'm seeing options that are far better than SOPA already.

Again, lets start with the OPEN act. Whats wrong with cutting off advertising and financial services to foreign sites that are dedicated to infringing copyright? Again, by avoiding the ISP and DNS blocks, the sites are not really "censored". Additionally, OPEN works with the foreign sites by notifying them of a complaint before taking action. I admit that I don't know much about the ITC vs Federal Judges, the proposal seems like a decent place to start.

Randomizer wrote:What. The. Fuck.

I was going to ask for links, but then I took a look around and I found an article that says some works have been taken out of the public domain, and it's making it more difficult for small orchestras, which have a limited budget, to perform. It's from May 2011, Supreme Court Takes Up Scholars' Rights, that says a conductor is suing over that, but I don't know how it turned out or if it's come to trial yet.

Oh, wait, here's one from January 18th, 2012: Supreme Court Chooses SOPA/PIPA Protest Day To Give A Giant Middle Finger To The Public Domain Here's the .PDF of the ruling: http://www.supremecourt.gov/opinions/11pdf/10-545.pdf

This. Is. BULLSHIT. What if someone had invested a significant portion of time and/or money into making a fully legal, derivative work of a public domain item, only to find that their investment had been squandered because the law changed under them? Hell, Disney gets some of its material from the public domain. What if the Hunchback of Notre Dame had been one of the works to be "revived"? Would they be pleased at facing a lawsuit over a movie that was legal when they made it? Or Snow White and the Seven Dwarfs, which saved the company from bankruptcy?


Indeed. Life without Public Domain is indeed a sad one. But we've been on this path for some time, so I can't say it isn't surprising. Its just another unfortunate step on the march towards total corporate control of media.
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Re: SOPA talk, yo.

Postby Ghostbear » Sun Jan 22, 2012 6:47 am UTC

KnightExemplar wrote:I'm glad we agree on funding Open Source projects. I too believe this is an effective way to "combat" piracy. (Although really, its more about embracing the open nature of the internet and finding business models that would work even if piracy were legalized)

I also agree that DMCA is a piece of crap law, but you can't say it hasn't been successful in slowing down Piracy. The number of pirated videos on Youtube seems to be dropping significantly, ever since that AI was added to youtube that automatically detects copyright infringement. This invention was clearly done so that Youtube can remain under "safe harbor" as stated in the DMCA. Similarly, Megaupload and other file sharing sites have released software to music groups to automatically take down links. (which really makes me wonder if the FBI has a case against Megaupload, since this seems above and beyond the DMCA's requirements for "Safe Harbor"). In general, pirate sites have all moved out of the USA, and the ones that are sorta-pirate sites (like Megaupload) work closely with the industry to hamper piracy on their sites.

Anyway, at the end of the day, stopping piracy ultimately means stopping some form of speech. Speech can describe software, and thus to stop the proliferation of some forms of software / media, we'll have to employ something akin to censorship at some level. So yes, I agree that stopping piracy will mean some reduction in civil liberties, but surely a proper balance can be found. The only thing is, by drawing the line right now, then we will never find that balance. I've said this before: I think you're just being too pessimistic again. Its a hard charge to say that we'll never find a proper solution to this problem. Certainly, we'll have to work to find a good solution, and IMO, I think I'm seeing options that are far better than SOPA already.

Again, lets start with the OPEN act. Whats wrong with cutting off advertising and financial services to foreign sites that are dedicated to infringing copyright? Again, by avoiding the ISP and DNS blocks, the sites are not really "censored". Additionally, OPEN works with the foreign sites by notifying them of a complaint before taking action. I admit that I don't know much about the ITC vs Federal Judges, the proposal seems like a decent place to start.

Reading your reply, I think we agree on more than it would appear initially. Which makes me feel kind of silly replying with such a large wall of text full of disagreements. Still, it seems we might agree on a decent amount.

Youtube was never the major hotbed of piracy here- the piracy that these companies actually worry about (rightly or not) is through torrents, or ftp, or sites like MU, or IRC, or usenet. The DMCA cut down on Youtube copyright infringement (and even then, not particularly effectively- you can still find loads of copyrighted material on Youtube), but as far as I know it didn't do anything significant for the others. Sure, it moved all of the sites outside of the US, but that just made it harder to enforce laws on them in the first place- making the job harder, not easier. Pirates adapted, and went right back to what they were doing before. So, to me, the DMCA (which would probably be considered very mild copyright protection by most of congress these days) gave us a lot of negatives (used for censorship, used when no copyright applies at all, etc.) with very little, if any, practical reduction in piracy.

I think the issue, with respect to finding a reasonable compromise between protecting speech and preventing piracy is that copyright infringement is just so easy to do with speech. And unlike other forms of speech that we do protect against- slander, or the classic "yelling fire in a crowded theater"- it has many of its consequences without being heard by a large quantity of people at once- it's not broadcast in the same manner, and can be made very difficult to trace. This means that anything that legislates against piracy is going to need a very significant capacity to limit speech. There was the free speech flag* a while back that communicated a copyrighted number (which is it's own problem in itself) with five separate bands of solid colors and three written characters. How do you legislate against that without fucking up everything else? If you use broad enough language to confidently catch those cases, you're also going to include far too many cases that should be protected**. If you use narrow enough language to avoid including things that you shouldn't, then the infringers will just dance around the specific wording. That's why I don't think a reasonable compromise can be reached on that front. I don't think it's conceptually impossible- there obviously exists an ideal balance between civil liberties and copyright protection- I think it's impossible to legislate that balance into law.

Speaking specifically towards OPEN, I'll admit to not having read much on it (all I know is from your own post, and a link you gave way back- but that was dearth of information), but what you list already has some things I think are worth worrying about. If you look at how the whole Wikileaks situation broke down with respect to their ability to receive funding, you'll see that it appears to be very possible for people with enough power and influence to bully things into happening their way on that front. Giving even a little bit of that power to the media companies is something that I can very easily see as being able to be abused. It's also going to run into a similar issue that SOPA/PIPA suffered from: how do you define a site that is facilitating copyright infringement? SOPA/PIPA went outright crazy with it and basically made it "any site that we can find any single instance of infringement, no matter how minor and unrepresentative of the site"- how does OPEN define that? Just like with the civil liberties vs free speech bit, if they use overly broad language it will hit sites that it shouldn't, if they use overly narrow language, then the pirates will get around it, defeating the whole point. I don't know that it's possible to capture the balance on this front either- however, I will say it's probably possible (if highly unlikely), unlike the civil liberties case. I don't know about the ITC vs. judges either, but that could very well be another issue to worry about. As well, as I had said earlier, any copyright protection law that passes through the US government is going to end up with the RIAA/MPAA/other big copyright companies burying their fingers deep inside of it. Even if we could somehow craft legislation that did work, and did avoid unacceptable consequences- which I very much doubt, but even if we did- I have no faith that it would retain those traits after getting through our legal process. The media companies just have too much to gain by fucking up the legislation, and the members of congress have too much to gain by letting them do it.

As a side issue, I think if the US government is going to tackle copyright in any legislative sense, it is absolutely required for it to first address the ridiculous ways in which copyright has been extended and broken in the past few years. They need to fix the DMCA, they need to shorten copyright terms, they need to fix the penalties for illegally downloading files; they need to fix the whole system on the side of society. Until it is fixed, anything moving towards stronger copyright protection is just going in completely wrong direction that things should be going. Copyright laws have been moving in the direction away from society's benefit for decades (probably centuries actually, but I didn't check)- piracy, while undeniably having some actual negative consequences for some markets, is practically the only way society gets those rights back. Perhaps it goes too far, perhaps rights that don't exist are taken- I wouldn't wholly disagree- but in the end, it's the only counterbalancing force available to society to fight these abuses. If you take that away, then we're still left with our broken system, but the citizenry now has no recourse- legal or illegal. That is a very dangerous situation to create. As such, I don't think I could support any copyright protection bills before this fundamental and critical grievance is addressed. I have no ability or willingness to trust lawmakers if they say they'll fix it right afterwards- it must be fixed first, or possibly concurrently (though that'd be a very big law if it covered both). I don't think that's something that can be, nor should it be, compromised on.

* I'd link to it, as I think it's a beautiful and simple example of just how difficult and complicated this process can be, but I don't know how well that'd mesh with the forums rules- you can search for "free speech flag" on your favorite search engine and it'll be in the top results. On that note, if a mod sees this bit and thinks it's OK, could you say so? Not important enough to bug one of you over, but if you're passing through, well... It never hurts to ask.

** Not specifically related to copyright, but another wonderful example of how broad terminology in legislation can have far reaching effects: I'm drawing a blank on getting the name of the act, but it was an early internet era bill detailing FBI and other law enforcement rights with respect to data left on a server. Since email was always something retrieved from a server back then, the law allowed them to access emails that were left on a server for more than 100 days (or some similar number) as abandoned property- viewing it as the same concept as abandoning something without claiming continued ownership. That made sense for the era it was written in. Nowadays though, due to the terminology used, it means they can access any email on a gmail, yahoo, hotmail, or other webmail account after 100 days with impunity- this is broken. Broad language can have very dangerous consequences down the line.
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Re: SOPA talk, yo.

Postby Steax » Sun Jan 22, 2012 1:29 pm UTC

Here's a analysis on how piracy affects the entertainment industry from Ars Technica.

Snippet:
As a rough analogy, since antipiracy crusaders are fond of equating filesharing with shoplifting: suppose the CEO of Wal-Mart came to Congress demanding a $50 million program to deploy FBI agents to frisk suspicious-looking teens in towns near Wal-Marts. A lawmaker might, without for one instant doubting that shoplifiting is a bad thing, question whether this is really the optimal use of federal law enforcement resources. The CEO indignantly points out that shoplifting kills one million adorable towheaded orphans each year. The proof is right here in this study by the Wal-Mart Institute for Anti-Shoplifting Studies. The study sources this dramatic claim to a newspaper article, which quotes the CEO of Wal-Mart asserting (on the basis of private data you can't see) that shoplifting kills hundreds of orphans annually. And as a footnote explains, it seemed prudent to round up to a million. I wish this were just a joke, but as readers of my previous post will recognize, that's literally about the level of evidence we're dealing with here.
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Re: SOPA talk, yo.

Postby Randomizer » Sun Jan 22, 2012 8:11 pm UTC

Here's a video from Ted about why SOPA is "a bad idea".

An article on techdirt says Busta Rhymes is showing support of Megaupload in his twitter feed, and that he gets 90% of every dollar, whereas the record companies pay shit.

According to this YouTube video, CNET, Disney, and others knowingly and deliberately distributed the file sharing software such as LimeWire, Kazaa, and BitTorrent for the purpose of promoting copyright infringement. According to a .pdf copy of the court document, hosted on http://www.filmon.com/cbsyousuck/ , CBS and CNET are being sued for "(1)Inducement of copyright infringement; (2) Contributory copyright infringement; and (3) Vicarious copyright infringement". The video also points to http://onecandleinthedark.blogspot.com/ for evidence they've gathered.

If what he says is true, then the very same companies that have been complaining so heavily about infringement have been deliberately mass-promoting it! I tried to find a copy of the court case on a .gov site to verify this, but I've got no clue where to look. The case number in the .pdf is CV11-09437R(ARGX), filed November 14th, 2011 in United States District Court, Central District of California.

This shit keeps getting shittier.

Edit to add: And now I found EVEN MORE SHIT. Senator Lamar Smith, lead SOPA sponsor has another Internet bill that records you 24/7
H.R. 1981 wrote:A commercial provider of an electronic communication service shall retain for a period of at least one year a log of the temporarily assigned network addresses the provider assigns to a subscriber to or customer of such service that enables the identification of the corresponding customer or subscriber information under subsection (c)(2) of this section.
slashgear.com wrote:This bill has currently cleared its committee, this meaning that the next step is a full vote.

Text of H.R. 1981 http://thomas.loc.gov/cgi-bin/query/z?c112:H.R.1981:
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Re: SOPA talk, yo.

Postby Steax » Sun Jan 22, 2012 11:38 pm UTC

Randomizer wrote:Edit to add: And now I found EVEN MORE SHIT. Senator Lamar Smith, lead SOPA sponsor has another Internet bill that records you 24/7
H.R. 1981 wrote:A commercial provider of an electronic communication service shall retain for a period of at least one year a log of the temporarily assigned network addresses the provider assigns to a subscriber to or customer of such service that enables the identification of the corresponding customer or subscriber information under subsection (c)(2) of this section.
slashgear.com wrote:This bill has currently cleared its committee, this meaning that the next step is a full vote.

Text of H.R. 1981 http://thomas.loc.gov/cgi-bin/query/z?c112:H.R.1981:


Oh dear. 2 things:

1. Isn't it clear this guy just wants ways to be able to take down people/things online? I'm not versed-well in legalese, but isn't this:

(a) In General- Whoever knowingly conducts, or attempts or conspires to conduct, a financial transaction (as defined in section 1956(c)) in or affecting interstate or foreign commerce, knowing that such transaction will facilitate access to, or the possession of, child pornography (as defined in section 2256) shall be fined under this title or imprisoned not more than 20 years, or both.


Quite weak, with 'facilitate'? How strong is the word "knowing" in legal? It just sounds to me like Smith just wants to pass laws to rule the web. First by appealing to the entertainment sector, which failed, and this to child pornography. WILL SOMEONE PLEASE THINK OF THE CHILDREN?

If this goes on, we may want a separate thread...

2. Can't we get people know about the internet to write this shit?
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Re: SOPA talk, yo.

Postby Game_boy » Mon Jan 23, 2012 11:27 am UTC

@Steax

Under that wording merely paying for internet access looks illegal.
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Re: SOPA talk, yo.

Postby Randomizer » Mon Jan 23, 2012 9:14 pm UTC

Steax wrote:If this goes on, we may want a separate thread...
Here we go: New (old) anti-piracy threats -- ACTA etc.
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Re: SOPA talk, yo.

Postby Sockmonkey » Tue Jan 24, 2012 5:29 am UTC

Has nobody pointed out that crap like SOPA is to make things impossible for the small independant artists who offer their stuff cheaper or even for free online and are the chief threat to the recording industry?
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Re: SOPA talk, yo.

Postby KnightExemplar » Tue Jan 24, 2012 5:42 am UTC

Sockmonkey wrote:Has nobody pointed out that crap like SOPA is to make things impossible for the small independant artists who offer their stuff cheaper or even for free online and are the chief threat to the recording industry?


Yeah, this was brought up a few pages ago. It was even officially brought up in Congress by Representative Polis (Democrat from Colorado).

Full Transcript of the Markup Session (warning: huge)
http://judiciary.house.gov/hearings/pdf ... 152011.pdf

Representative Polis, on an amendment to SOPA which would make it harder for the recording industry to sue people.
Thank you.
You know, again, in terms of a small operating company, a Web site, they might employ 10 people, 15 people. For them to muster the legal fees and make the case could very well be putting their entire company on the line, using all of their revenues, all of their investment that has been made in the company to be able to make the defense. And it is very reasonable, given that the process of making the defense itself could jeopardize their existence of the business even if they succeed, that they would be able to recover those expenses.
Again, it will cause those who would seek to enforce long-shot suits -- again, short of willful, you willfully wielding this weapon, but a long shot, you know, the willful window is very narrow. Even if there is a 5 or 10 percent chance of winning, this could be used very broadly in cases where 9 out of 10 times the defendant prevails, but is nevertheless put out of business by the legal fees that are incurred in the process of rightfully defending their claim that eventually gets adjudicated.
So I think it is an excellent amendment, and I do support it.
I yield back.


I posted this a few pages back. But the general argument that SOPA supporters had can be summarized with...

Representative Berman's Retort:
All I know is you do this, and people who are right and are concerned about any litigation and the probabilities of what happens will be deterred from exercising their rights. You are right.
The surest way to shut down these cases is to adopt a provision like this and disincentivize a well-meaning, good-faith, small copyright owner with perhaps their first movie, or their first song, or their first book from exercising their rights.
I urge a no vote.


Basically, Mr. Berman simply doesn't understand small companies and artists. He thinks you guys have lawyers and would benefit from these sorts of legal battles. IMO, its important to understand why this bill came up in the first place. There is a huge disconnect between artists and the representatives who defended this bill.

Ghostbear wrote:Reading your reply, I think we agree on more than it would appear initially. Which makes me feel kind of silly replying with such a large wall of text full of disagreements. Still, it seems we might agree on a decent amount.


I think I can more or less agree with your premise. I disagree with a lot of things. There were LOTS of illegally uploaded stuff was on Youtube when I was in college. From Daily Show, to Colbert Report, to lots and lots of anime. Simpsons episodes, cartoons, etc. etc. Legitimate sites have cracked down on piracy because of DMCA safe harbor laws. With Megaupload going down, its hard to argue that our current legal structure is "ineffective" against pirates, even on the international scale. Now sure, you can argue its against civil liberties and what not, but its very hard for me to see your case of "ineffective", when it comes to piracy.

Also, I'm not sure if you were here during the Wikileaks debate on this forum... but lets just say that I don't like them very much. So by mentioning Wikileaks, you have hurt your own argument: I believe the Government should have been able to do more against Wikileaks, not less. But the details of this debate don't really belong in this thread.

As for things we are again in agreement on, yes... lowering copyright to 30 or even 20 years would be acceptable in my books. Increasing public domain, and making it easier to figure out what stuff is copyrighted and what stuff isn't. (Lol, singing Happy Birthday is technically copyright infringement... the owners bring in $2 Million / year on the copyright on "Happy Birthday") Having a stronger emphasis on commercial gains from copyright infringement (non-commercial private use should be encouraged more). Remixing should be more encouraged, etc. etc.
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Re: SOPA talk, yo.

Postby Ghostbear » Tue Jan 24, 2012 6:37 am UTC

KnightExemplar wrote:I think I can more or less agree with your premise. I disagree with a lot of things. There were LOTS of illegally uploaded stuff was on Youtube when I was in college. From Daily Show, to Colbert Report, to lots and lots of anime. Simpsons episodes, cartoons, etc. etc. Legitimate sites have cracked down on piracy because of DMCA safe harbor laws. With Megaupload going down, its hard to argue that our current legal structure is "ineffective" against pirates, even on the international scale. Now sure, you can argue its against civil liberties and what not, but its very hard for me to see your case of "ineffective", when it comes to piracy.

Also, I'm not sure if you were here during the Wikileaks debate on this forum... but lets just say that I don't like them very much. So by mentioning Wikileaks, you have hurt your own argument: I believe the Government should have been able to do more against Wikileaks, not less. But the details of this debate don't really belong in this thread.

As for things we are again in agreement on, yes... lowering copyright to 30 or even 20 years would be acceptable in my books. Increasing public domain, and making it easier to figure out what stuff is copyrighted and what stuff isn't. (Lol, singing Happy Birthday is technically copyright infringement... the owners bring in $2 Million / year on the copyright on "Happy Birthday") Having a stronger emphasis on commercial gains from copyright infringement (non-commercial private use should be encouraged more). Remixing should be more encouraged, etc. etc.

Was Youtube truly that bad beforehand? If so, it'd be news to me, and I guess that would change my outlook from "ineffective" to "effective", regardless of whether it should have been done, at least on that front. I don't think the closure of MU really speaks much to the effectiveness here though- piracy first thrived as just downloading content directly from websites, such as Napster. They then took those down, and the little networks of Kazaa and Limewire. Then they clamped down on those, and torrents took over. Then they started to clamp down on that- and they haven't even been 100% effective, just put fear of litigation into people's heads- and piracy started to move to the filehosting sites such as MU. I have no doubts that it'll just move to something else after that, and that the legal case against whatever the new method is will be even weaker, and take longer (with possibly even more drastic law changes needed) to pull off. They might have reduced piracy for the coming months or even a few years, before something new takes over, but in the end, I really doubt this will have any noticeable permanent reduction in piracy.

Speaking to the Wikileaks example- I did not intend to imply that Wikileaks was right, or that they were wrong, or anything about them. Just that the government was able to bring about their slow, but almost complete, decline without actually pressing any legal cases against them- instead, they just bullied Amazon and the Credit Card companies to not be willing to interact with them. You might not like Wikileaks, and thought the government should have had more options to take against them- as you said, such would be for a different debate- but I think the manner in which they brought the actions against them that they did- just political pressure- was very bad. And even if you don't, that power would go from being purely in the hands of the government, to also being, to some extent, at the hands of the copyright owners. I think that would be very dangerous, and very capable of being abused.

It's nice seeing the things we do agree on at the bottom. Judging by it, I guess our biggest disagreement would be on the time table? You seem like you'd be OK with them getting anti-piracy measures in before fixing the broken aspects of copyright law. I don't know if I stated it fully outright- but I would be OK with them getting a good faith, non-shit bill in, but I really and truly think that it would be completely unacceptable to do so before they fix the broken aspects first. Or, as I do remember saying, possibly both simultaneously. Copyright law favors the owners far too much right now, and we need to give a little back to everyone else before we give the owners some of what they want. I'd gladly trade them a bill like OPEN (perhaps not OPEN itself, but a good-faith attempt such as it) in exchange for copyright being shortened- including retroactively- to 30 years.
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Re: SOPA talk, yo.

Postby KnightExemplar » Wed Jan 25, 2012 3:59 am UTC

Yeah, Youtube in fact had a bit lawsuit with Viacom. I guess its impossible to really show you the videos, but the technical history has been noted across blogs.

Youtube was the first company to prove us wrong: it is possible to "police" a user-generated upload cite for copyright violations. It isn't perfect, but the AI they employ is far better than what existed beforehand. Coding Horror (a web development blog) has a good post on it around the time when Youtube finally implemented that AI.

http://www.codinghorror.com/blog/2010/0 ... r-use.html

In 2007, Jeff Atwood notes how prolific piracy was in that era.
http://www.codinghorror.com/blog/2007/1 ... t-lie.html

Now think back through all the videos you've watched on YouTube. How many of them contained any original content? Let's see. Recently I've linked to the faux Machete trailer from Grindhouse, a classic Kids in the Hall skit (and another one), a surreal computer animated skit called Bingo the Clown-O, and the Writer's Award intro from the 2007 Emmys. Notice anything in common here? That's right. Virtually everything of interest on YouTube is copyrighted content.
... snip ...
I'm not attacking YouTube here. I think having access to all this copyrighted content in bite-size embeddable form is ultimately a net good for both consumers and creators. What I don't understand is why YouTube continues to get away with the big copyright lie they've perpetuated from day one. They pay lip service to copyright, while building their business on an empire of unauthorized, copyrighted content. It's so brazen-- so blatant.


I'm surprised that I'm suddenly an "old timer" who remembers the good ol days when Youtube was a pirate heaven... a time that some people have already forgotten. Am I really that old? :(
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Re: SOPA talk, yo.

Postby Ghostbear » Wed Jan 25, 2012 4:10 am UTC

I wasn't that young (though I assume most people would attribute to me the trait of "youth", still) when Youtube came out, I just more or less never used it at the time. I suppose if it did work out well, there's still the problem that requiring a company to develop and implement (or license from someone else) an "AI" to police that would be a rather undo burden, I'd think.
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Re: SOPA talk, yo.

Postby Diemo » Sat Jan 28, 2012 2:23 pm UTC

So, America has SOPA, but Ireland has jumped on the bandwgon with it's own version (for the Irish and interested, see here. How many other countries have one in the works?
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Re: SOPA talk, yo.

Postby Yakk » Sat Jan 28, 2012 3:19 pm UTC

Diemo wrote:So, America has SOPA, but Ireland has jumped on the bandwgon with it's own version (for the Irish and interested, see here. How many other countries have one in the works?

As many as can be purchased.
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Re: SOPA talk, yo.

Postby Randomizer » Sat Jan 28, 2012 3:21 pm UTC

For Canadians, there's a short YouTube video, The Fight for Fair Copyright. The petition it links to is out of date, as it lists the bill as C-32, which died last session. The petition says that bill C-32 is good in a lot of ways, but that the anit-DRM circumvention portion needs to be removed. The bill was reintroduced as Bill C-11. Text of the bill is here.
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Re: SOPA talk, yo.

Postby Steax » Thu Feb 02, 2012 3:34 am UTC

Update: RIAA rejects OPEN

To quote snipe:

"The OPEN Act does nothing" to stop online infringement and "may even make the problem worse," the industry group says in a statement it is circulating on Capitol Hill this week. "It does not establish a workable framework, standards, or remedies. It is not supported by those it purports to protect."


The trade group complains that sites aren't held responsible for the infringing activities of their users, a rule the trade group says "excuses willful blindness and outright complicity in illegal activity." RIAA also says it's "virtually impossible" to prove that a site infringed willfully, as OPEN requires.


Uh huh. (Emphasis mine.)

They're not even bothering to hide that they want sites to have to police their content. Pretty much makes clear what the future of SOPA-zombies will look like.
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Re: SOPA talk, yo.

Postby sardia » Thu Feb 02, 2012 3:44 am UTC

That has more to do with efficient use of resources than anything else. For example, China doesn't actually censor that many things. Instead, it picks a few things that crosses the line and punishes those violators. Self-censoring from those watching does the rest. That way, the officials in charge save personnel and manhours. The RIAA has the same line of thinking, old school, but it works.
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